Despite the app's almost prideful, continuous ridiculousness when it comes to bios, bots, and terribly punny/cheesy conversation; it still plays host to some unimaginably attractive women. Yes, women that'd seem to be using the app to cut out the bullshit, and shortcut straight to that wonderful animalistic desire that aggressively occupies us all (almost all the time)...SEX. These profiles were particularly shameless.
This RITA® Reader Challenge 2017 review was written by Coco. This story was nominated for the RITA® in the YA Romance category.
For some people, silence is a weapon. For Mallory “Mouse” Dodge, it’s a shield. Growing up, she learned that the best way to survive was to say nothing. And even though it’s been four years since her nightmare ended, she’s beginning to worry that the fear that holds her back will last a lifetime.
Now, after years of homeschooling with loving adoptive parents, Mallory must face a new milestone—spending her senior year at public high school. But of all the terrifying and exhilarating scenarios she’s imagined, there’s one she never dreamed of—that she’d run into Rider Stark, the friend and protector she hasn’t seen since childhood, on her very first day.
It doesn’t take long for Mallory to realize that the connection she shared with Rider never really faded. Yet the deeper their bond grows, the more it becomes apparent that she’s not the only one grappling with the lingering scars from the past. And as she watches Rider’s life spiral out of control, Mallory faces a choice between staying silent and speaking out—for the people she loves, the life she wants, and the truths that need to be heard.
Here is Coco's review:
I picked up this last-minute review of Jennifer L. Armentrout’s The Problem with Forever last week because I felt like doing one more of these RITA reviews when the opportunity came, but, well, it was a push to get it done and written before the deadline! I hadn’t read the book—as YA isn’t normally my happy place within the romance genre, despite the odd fact that I reviewed another YA RITA earlier this year—but I thought it’d be fun, and then life happened, and it didn’t go quite according to plan. Instead of a leisurely full seven days to read and write a simple review, I, of course, didn’t get the time to do it until two days ago. Luckily, reading it quickly wasn’t a problem as I was drawn into the story by the midpoint and raced to finish it.
At the beginning, however, I was dubious. I thought it was going to be another melodramatic YA story chock-full of painful childhood experiences, which were then overcome quickly at the end by the power of young L-O-V-E. You know. And, I think it’s far to say, there is an element of that in this story that might turn off some readers. (When I was adding the TWs, I was like, damn, this story sounds majorly dramatic!) But—BUT—it’s not that simplistic. I was ultimately submerged in the story and impressed by the author’s commitment to talking about the long-term effects of childhood neglect and abuse. I’d say it’s a pretty even mix of a coming-of-age story with a YA romance. I wasn’t familiar with the author, but she appears pretty prolific, and has done a mix of independent press, self-publishing, and major pub houses (like this one from Harlequin Teen); she writes predominantly YA, YA fantasy, and New Adult. I like to find out a little bit about authors, and while I didn’t have the time to do that here, I liked the impression I got of her simply from her Acknowledgements section, especially when she refers to the way in which someone else “adeptly dubbed this book one of my horcruxes even though the last time I checked I didn’t commit a great evil. I think.” It makes me think that this story was important to her, and I like the idea of authors putting little pieces of their souls into their books—but, you know, without the evil part.
In The Problem with Forever, Mallory (“Mouse”) and Rider (…of course his name is Rider) spent several years together (maybe, like, from ages 4-13?) in the same unsafe foster home. The foster sibling thing wasn’t emphasized that much—helped in part because the house was so dysfunctional that they were nothing like a family—and instead their relationship was framed in terms of friendship.
Perhaps most importantly, Mallory’s survival mechanism was to be as silent as possible and to hide alone to avoid the wrath of the foster “parents”, whereas Rider sought to attract (negative) attention in hopes of protecting Mallory.
They are eventually separated as tweens and lose track of each other. Mallory ends up adopted by two doctors (in a rather miraculous turn of events) and begins the hard work of dealing with her trauma, seeing a psychiatrist and a speech therapist, and working through (but, thankfully and more realistically, not simply overcoming everything) her issues, the most tangible of which is her difficulties around people and with speech. This was fairly well fleshed out, considering it’s a romance and can’t focus entirely on her recovery. After homeschooling for a few years, she wants to try high school for her senior year in order to see if she would be able to eventually handle college. On her first day at school, she sees Rider again for the first time in three (or four?) years. Despite the fact that he tried to find her, and she asked her foster parents about him, they never reconnected or even knew if the other one was still alive. But, luckily, they’re in the same speech class!!! Bam! Insta-romance-plot-development!
I appreciated how Armentrout eventually complicated the early depiction that Mallory (and the reader) had of Rider. At first, Mallory views him merely as a White Knight figure but she ultimately realizes he has self-destructive tendencies and doesn’t see his own self worth, which led to behaviors that one might mistake for heroic but, with maturity, she could recognize as potentially problematic. This is an example of the tightrope that Armentrout walks when playing with both traumatic storylines and classic bad-boy-saves-shy-girl tropes.
There are a few other instances of life-and-death drama (including a fatal shooting and a potentially life-altering disease) that serve as turning points in our protagonists’ lives, and I feel somewhat conflicted about their treatment. I think one is handled with more care than the other, but they still felt at times like literary devices to spur changes in the characters. But, then again, things that happen to other people obviously can have a big impact on us, especially at that age, when it’s easy to turn everything into something about yourself.
There are some moments of awareness that touch on class and race and the incredible role luck (good and bad) can play in determining young people’s lives and their prospects. I wish she would have gotten more into those issues and be more explicit with regard to the drugs and gun violence present in many young people’s lives, but I didn’t have a huge problem with Armentrout’s depictions and at times oblique explanations.
Armentrout uses is Margery Williams’ 1922 classic, The Velveteen Rabbit—which is available to read online here, in case you’ve forgotten this harrowing children’s story—to nice effect (or it might seem overly saccharine and unrealistic, depending on your point of view and if you’ve been sucked into her world). The story is a common refrain throughout the book and is used when developing Mallory’s and Rider’s backstories, their relationship, and each one’s personal growth.
The other theme that occurs throughout the book, and the titular inspiration, is the concept of forever and its connotations. Again, the story begins somewhat simply as Mallory remembers how Rider said he’d always protect her—forever—which doesn’t happen. Again, by the end of the story, I was somewhat impressed with Armentrout’s ability to deepen Mallory’s understanding of what all “forever” implies, both good and bad.
Forever was something we all took for granted, but the problem with forever was that it really didn’t exist… Then there was me. I’d thought I’d be stuck the way I was for forever, always scared, always needing someone to speak up for me. I’d learned to cope with my fears, found my voice, and realized that Carl and Rosa would love me even if I wasn’t perfect. Forever wasn’t real. And I guessed, for me, that I was lucky it wasn’t. But for others, I wished it was real, that they had forever.
As soon as I returned to find a few quotes pertaining to Mallory’s self-realizations in the latter half of the book, I felt a little dubious about their effect as, once again, I wondered it was too over-the-top. But, to Armentrout’s credit, when I was reading, I didn’t have those doubts; I was fairly engrossed and simply present in the world she’d created. It’s only looking back that I question myself and the somewhat dramatic prose, like “Forever wasn’t a problem. Forever was my heartbeat and it was the hope tomorrow held.” Dramatic, yes. But, shit, I mean, she’s not wrong?! And only teens can get away with the kind of bold and sweeping statements.
Even though now I tend to look back at that time of life, and teen characters in fiction, with a somewhat more jaded and indulgent half-smile, I still kind of love teens and young adults for this very reason.
And Armentrout does lighten the tone at times. For instance, she has Mallory observe that “our story was something straight out of an Oprah special or an ABC Family movie” and later Mallory quips that Rider looked “good in the way I didn’t know a teenage boy could look. Like they did on TV, when played by twenty-five-year-olds.” And Ainsley, Mallory’s one real friend before starting at the public high school, rants about another boy, “Do you know, one of his friends last week actually argued with me about that? He was all like, let me wannabe mansplain this to you while incorrectly explaining the First Amendment.” I’m not sure this is how teens talk, but I liked it and it was nice break from the intensity.
And though I don’t tend to want to read YA romance too often, a good author can pull me back into that mindset.
And it’s not necessarily a bad thing.
I mean, it doesn’t last forever.*
*C’mon, you knew I had to do it!!!
You can call me… Lorenzo
I identify as… erm…well, I’m really unsure about my gender. I mean, I was born male but I have never really felt that much of ‘connection’ with this definition. I had never asked myself if being ‘male’ for me was right because I didn’t really care since me was me and not the gender assigned to me. Then, not too long ago, I started wondering again about my gender and I honestly don’t know how to define myself because I think I’m agender but I also have difficulties to completely abandon the current definition I have of myself because I’ve never felt a very gender dysphoria. (ps: I also tried to define myself as a demiboy but I don’t think this gender totally represents me -I don’t know how to explain it lol-). Pratically I think I’m agender but maybe I’m not yet ready to totally accept this?
As far as third-person pronouns go, … I don’t have a real preference, maybe because in Italian (my native language) we haven’t pronouns to define ourselves in other ways than male or female. However, if I had to choose, I would prefer ‘he/him’, ‘they/them’ or ‘ne/nem’ (I’m not even sure about my gender but I probably would prefer one of these pronouns if i would recognize myself as agender).
I’m attracted to… men. I’ve also made coming out with some of my class mates and my best friend. (Actually I’m wondering even about my sexual orientation, but the explanation would be too long lol)
When people talk about me, I want them to… know that even if I seem all happy and smiling and even a little stupid (basically all the people I know think I’m stupid lol) I have emotions too. Even if they believe I’m kinda indifferent to others’ opionions, this isn’t true (just the opposite lol. To my misfortune, I use to care a lot -maybe too much- about others’ opinions about me)
I want people to understand… that gender (like sexuality) isn’t just made of two choices (male/female or straight/gay). We have plenty of them, we only have to find ‘right one’ for us.
I’m 15, I’m Italian and I’m UGLY (and I know it lol). I’ve watched a lot of TV series and Anime and I’ve also read a lot of manga and books. My favourite genres are:
books: Fantasy, Romance and also Literature
TV series: Action, Comedy, Fantasy, Supernatural and even Romance
Anime: Basically every genre, maybe Action and Comedy (?)
Manga: Yaoi (*COFF COFF* YAOI IS LIFE *COFF COFF*), Shounen and Seinen.
» Define yourself. «
The Secret History of the Pink Carnation
RIPPED BODICE RECOMMENDED: The Secret History of the Pink Carnation is $2.99! This has romance, a bit of mystery, and some historical elements. On a podcast episode with Bea and Leah of The Ripped Bodice, Leah mentioned that she recommends this book pretty frequently. Have you read this one?
Deciding that true romantic heroes are a thing of the past, Eloise Kelly, an intelligent American who always manages to wear her Jimmy Choo suede boots on the day it rains, leaves Harvard’s Widener Library bound for England to finish her dissertation on the dashing pair of spies the Scarlet Pimpernel and the Purple Gentian. What she discovers is something the finest historians have missed: a secret history that begins with a letter dated 1803. Eloise has found the secret history of the Pink Carnation the most elusive spy of all time, the spy who single-handedly saved England from Napoleon’s invasion.
The Secret History of the Pink Carnation, a wildly imaginative and highly adventurous debut, opens with the story of a modern-day heroine but soon becomes a book within a book. Eloise Kelly settles in to read the secret history hoping to unmask the Pink Carnation’s identity, but before she can make this discovery, she uncovers a passionate romance within the pages of the secret history that almost threw off the course of world events. How did the Pink Carnation save England? What became of the Scarlet Pimpernel and the Purple Gentian? And will Eloise Kelly find a hero of her own?
Blood of the Earth
Blood of the Earth by Faith Hunter is $2.99! This urban fantasy novel is the first in the Soulwood series, which seems to be a spin-off of Hunter’s Jane Yellowrock series. It was also recommended during our SBTB Reader Recommendation Party at RT 2017. I remember because I immediately added it to be TBR pile.
Set in the same world as the New York Times bestselling Jane Yellowrock novels, an all-new series starring Nell Ingram, who wields powers as old as the earth.
When Nell Ingram met skinwalker Jane Yellowrock, she was almost alone in the world, exiled by both choice and fear from the cult she was raised in, defending herself with the magic she drew from her deep connection to the forest that surrounds her.
Now, Jane has referred Nell to PsyLED, a Homeland Security agency policing paranormals, and agent Rick LaFleur has shown up at Nell’s doorstep. His appearance forces her out of her isolated life into an investigation that leads to the vampire Blood Master of Nashville.
Nell has a team—and a mission. But to find the Master’s kidnapped vassal, Nell and the PsyLED team will be forced to go deep into the heart of the very cult Nell fears, infiltrating the cult and a humans-only terrorist group before time runs out…
Dare to Run
Dare to Run by Jen McLaughlin is $2.99! This is the first book in the Boston-set Sons of Steel Row series. The heroine is a bartender and the hero has criminal ties, which I know isn’t for everyone. Readers loved the pacing and action, but wanted the heroine to have more of a backbone. It has a 3.7-star rating on Goodreads.
The New York times bestselling author of the Out of Line Novels takes readers to Boston where one gang of criminals knows how being bad can be so good…
She knows what he’s like on Boston’s mean streets. Now she’s going to find out if he’s got some heart.
Lucas Donahue is not ashamed of his criminal past, but after a brief stint in prison, he’s ready to go legit and live a normal life. The problem is, no one leaves the gang without permission—even if he is one of the boss’s top men. Plus someone’s placed a hit on him. And then there’s that feisty little bartender who’s going to cause him even more trouble.
Heidi Greene knows to keep her distance from a ladies’ man like Lucas—even if she can’t keep her eyes off him. When he rescues her from an attack in the alley outside her bar, she’s forced to stay by his side for safety. But the longer she spends time with him, the greater her chances are for getting hurt in more ways than one.
The Last Man on Earth
The Last Man on Earth by Tracy Anne Warren is $2.99! This is a contemporary workplace romance set in the world of advertising. Readers loved the antagonism between the heroine and hero, but found the hero was a bit of a jerk overall. It’s the first book in The Graysons series.
From New York Times bestselling author Tracy Anne Warren comes a sexy and romantic new contemporary series about corporate combat in the boardroom and under-the-covers passion in the bedroom……
Idealistic good girl Madelyn Grayson believes in doing what’s right. Even as a high-powered executive in the mad world of advertising, she doesn’t cut corners, making her ad campaigns sizzle without having to burn anyone along the way.
Rival exec Zack Douglas never wastes an opportunity to land the next big deal—especially when it benefits him. A bad boy with a reputation to match, he has no qualms about doing whatever it takes to get ahead, no matter who gets in the way.
When a hot promotion pops up at their company, both Zack and Madelyn wind up on the short list for the position. But as the two square off, they discover that being heated rivals in the office makes for scorching bed play behind closed doors. Will Madelyn’s steamy, secret affair with Mr. Vice make her compromise her ideals—or worse, lose her heart?
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